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illustration of the first printing press 

The development of new technologies leads to the progression of human “speed”. According to national geographic, “The advent of industrial development revamped patterns of human settlement, labor, and family life”. Industrialization has changed all aspects of life over the years, from how we think about building parts to what we see as base products to work off of. It has especially changed how we spread information. In the beginning the printing press made it possible to mass produce and have a wide distribution of knowledge, and as time has continued computers have only made that distribution faster.

"Technology the death of art?"



Some authors plague industrialization with the blame of removing individuality from art and culture. One of those authors is Walter Benjamin who stated “the technique of reproduction detaches the reproduced object from the domain of tradition”. He views the use of mechanics in the art world as taking away the “aura” of the piece. Similarly to Benjamin another author named Douglas Davis wrote that using technology makes it so that there “is no longer a clear  conceptual distinction between original and reproduction in virtually any medium”. Both believe that industrialization takes the human touch away from the uniqueness of art and culture.

I am Mother movie cover

Then we get to the middle ground between human and machine, otherwise known as the cyborg. Many media sources have popularized the idea that something can be part machine and part human, using the famous example of frankenstein. Tv shows and movies use the cyborg to draft possible futures where robots and humans live together. Including “I am Mother” which brings up the possibility of a robot caring for a human much like a mother would her child. It begs questions of what makes us human? And will the future hold an expansion of human qualities to the technology that surrounds us today?


Citations:

Davis, Douglas. “The Work of Art in the Age of Digital Reproduction (an Evolving Thesis: 1991-1995).” Leonardo, vol. 28, no. 5, 1995, p. 381., https://doi.org/10.2307/1576221. 

Fear, David. “'I Am Mother' Review: Dystopic Sci-Fi with a Maternal Twist.” Rolling Stone, Rolling Stone, 7 June 2019, https://www.rollingstone.com/movies/movie-reviews/i-am-mother-movie-review-netflix-844140/. 

Gumbrecht, Hans Ulrich, and Michael Marrinan. Mapping Benjamin: The Work of Art in the Digital Age. Stanford University Press, 2003. 

National Geographic Society. “Industrialization, Labor, and Life.” National Geographic Society, 9 Dec. 2019, https://www.nationalgeographic.org/article/industrialization-labor-and-life/12th-grade/. 

PEIM, NICK. “Walter Benjamin in the Age of Digital Reproduction: Aura in Education: A Rereading of ‘the Work of Art in the Age of Mechanical Reproduction.’” Journal of Philosophy of Education, vol. 41, no. 3, 2008, pp. 363–380., https://doi.org/10.1111/j.1467-9752.2007.00579.x. 

Comments

  1. Hi Hanna, your post really targets a key idea of how industrialization changes art. I agree that media has popularized ideas of machines and humans existing together and we can see that in films and TV shows. For example the TV show Westworld is a science fiction narrative about robotic hosts and artificial consciousness. I think the prevalence of robotics in art forms shows how much it has influenced our society. For me it is really interesting when I see any shows or movies that challenge what we know or conceptualize about humans, robotics, and technology interacting.

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